Bifocal.

“Mary!” he calls, his big, booming voice projecting through their entire Cape Cod.

“MARY!” he holds out a paper, squeezed between beefy thumb and forefinger, both whorreled with pitch black lines of fingerprints and the creases on his hands. His hands are beefy but paper soft.

“MARY!!!!!!” he screams.

She appears, huffing, in the bedroom door, where he sits at a wooden desk just adjacent, the paper jutting out into the doorframe like an evil seagull hovering in midair.

“Just what is it, Lewis?”

Lewis Sinclair, that’s his name, and Goddamn is he an important guy. The most important founding father down at the meat packing factory.

“Read it!”

She snatches the paper away with a quick, birdlike movement. Mary is not rebellious, but she gets in her hits. And Sinclair feels them.

“Read it.”

“Why?”

“BECAUSE!” He says. Now his big, beefy hands are folded across his chest. He’s leaning back in his chair. His tricorn hat is resting on his head, and his powdered wig sprinkles across his back. The tip of the little pony tale is rubbing his upper back with white chalk.

Mary purses her lips in a way that makes her look like an angry duck, and she pulls the paper close to her face. She has always had trouble reading, not because of lack of smarts with her private tutors as a child, but because she is near-sighted and her parents could never afford or at least never seem to get right the right kind of glasses.

Bifocals.

DEAR MARY,

the paper reads…

I WANT A DIVORCE. NOW!

Then below that…

Sincerely,

Lewis Sinclair. Founding Father.

Mary stares at it, her eyes gone all dusky.

“So this is what you’ve been writing all morning, is it?” she asks. “A polemic?!”

He still has his hands crossed. He nods. His flared nostrils, flared with pleasure, are the only indicators that he’s enjoying himself.

“Well, Sinclair, here’s what I think of that.”

And Mary neatly rips the paper down the middle.

In seconds, the front two feet of Sinclair’s chair have slammed back against the ground. “You wouldn’t dare. You shouldn’t have dared. Mary, you ignorant slut!”

She gazes at him, eyes still mellow. “And you’re an officious oversized prick, more lengthwise than ye art long, Lewis Sinclair!”

And with that she sails back to the kitchen.

Sinclair sits, gawping. His paper, his lovely, well-written, morning page lies torn in two upon the flags. He gets up and picks up both sides of the paper, fuming. Then he stuffs them in his pocket.

If only his father hadn’t forced him to marry her. He could be anywhere now. He could be in Timbuktu. He could be in Paris, palling around with Benjamin Franklin. He could be riding a horse.

Fuming and mobilizing his massive thighs Lewis Sinclair begins to rumble through the house. The house shakes with every step.

“Mary you have emasculated me for the last time! Ye have ripped my paper, the very bosom baby of my brain, my very bobbins. Mary! MARY!”

But Mary cannot hear. She’s in the kitchen cooking a poison pie. And she knows just where to stick it.

She’s gonna stick it in his nasty craw and then shove whatever leftovers remain up his founding father ass. And he’s gonna like it.

Mary grins.

Mary wins.

Mary…sins.

Si?

No.

Porque?

Okay.

Parqué?

Go.

Honoré Daumier – The Past, The Present, The Future – 1834

Wellington

The moon was watery wet.

Wellington was sat up in bed, pulling on his stocking-feet, removing a long, difficult sock. Outside the window was a pool and in the pool was the moon. The moon gleamed from above and from below. And the grass was tipped with dew. And the barn stood dark behind the house.

Wellington flung his long socks and lay back in the bed, knotting his long hands behind his head. He gazed at the ceiling, the criss-cross of the big, thick beams.

(I realize I have no time. And yet I have too much time. I don’t feel good, thinking, unpleasant, despair. Because I’m here again feeling like I don’t know how to write and I’m – thinking, unpleasant, rage. Self-doubt.

So there it is, self-doubt. Had it at school. Have it now, here at home. I mean, I’m sick of what I write here. Sick of what I don’t write. Sick of the patterns that seem to happen day after day.

Dissatisfied.

It might as well be a tombstone inscription. Dissatisfied. And at the end, he rolled out of bed and fell into the grave.)

Wellington lay there listening to the country sounds. He could hear something in the lake, bumping woodenly against the dock. He could hear the wind in the distance. The ceiling fan turned lazily, and he turned over on his side. With his hands cradled under his head, he tried to sleep.

But he couldn’t sleep. He heard that hollow, knocking sound. He heard the ticks and sighs of the house around and below him. He even heard the gnawing of a mouse in the walls.

He didn’t try counting sheep, that never worked. He picked an extraordinarily high number, in this case 437,652, and counted backward.

437,651.

437,650.

437…

And when he came to there were two passages.

“Wellington,” he turned. He had a sword and a shield which he had scraped up from basically a junk heap on the ground. “Wellington!”

A snail was speaking to him. It was large and sat in the corner of the room, a trail of slime leading from one of the passages.

“Wellington, you’re close. But she’s watching. She’s always watching.”

“Who?” Wellington asked. His visor fell down and he pushed it up, frightened of the darkness.

“She. She!”

Wellington ran down the other passage, holding the sword in front of him. He was afraid of this “she” but he didn’t know her – that he knew of – why should she be a threat to him? But he was also afraid of large cobwebs and the large spiders within them. After all, if there could be a snail that large…

He ran into a web that lifted him off the ground. It yanked the sword from his hand, and then his visor fell down in front of his face.

He was terrified of the darkness. He thrashed, trying to get out of the web with all his might. He felt someone lay a hand on his helmet, and then his visor was raised.

In front of him was a woman he thought he knew. She had dark hair, so black it was almost blue, and dark eyes, brown to black. Her lips were brightly colored with lipstick.

“That’s not lipstick,” she said. “That’s my face.”

Then she pulled her face off and screamed. And Wellington knew he was the one screaming…

It wasn’t spiderweb at all, it was a blanket, twisted around his arms and legs. And he had no sword, he was holding the bed frame. And it was light in his room, with birdsong coming in through the window.

Morning.

Wellington allowed his muscles to relax and disentangled himself from the quilt. He sat up, put his hands on his thighs, took a deep breath, and got up. He went to the bathroom, pulled his sagging lower lids down to look at the red in his eyes, sighed, and brushed his teeth. The only toothpaste was a small, travel-sized tube of Tom’s blackberry. With fluoride. He read the tube blearily as he brushed. Dumped. Peed. Flushed. Washed his hands and got out of there.

Then he went down to rustle up some grub.

She was sitting at the dining room table.

Not the woman from his dream, not exactly. But she looked like her. She had black hair, so black it was almost blue, and he could see that her hands were long and her nails were pointed and painted black-blue too.

Like her hair.

“Excuse me?” he said.

“Excuse…you?” She said. She stood up facing away and then turned. Her face was the same as the dream. Her eyes were black to brown. Her face very white and pale and her lips very red.

“YOU KILLED ME!” She screamed. “YOU KILLED ME YOU KILLED ME YOU KILLED ME!” She cut towards him across the kitchen floor, her feet making loud slapping sounds on the linoleum, and grabbed him by the throat. She pushed him into the wall crying “YOU KILLED ME YOU KILLED ME YOU KILLED ME!” Then she sank her teeth into his neck, and as Wellington strained, trying to push her away, she drank his blood and licked her lips.

He died.

(He died. End of story. The “end” of a story? For me. It’s windy out there, windy and grey. And I really don’t know much about it. I really don’t. So I’ll give up trying. I am.

I am here.

That’s all.)

Mia Bergeron – The Empty Room – 2016